Application deadline: 09.02.2025
Process:
1. Online application including video submissions
(until application deadline)
2. On-site appointment for selected applicants
17.03.2025 - 20.03.2025
MUK.podium (Johannesgasse 4a, Ground floor, 1010 Vienna)
Please make all organizational preparations (flight reservations, visa, etc.) in time to participate. You will be informed by e-mail approximately beginning of March, if you will be invited to this optional on-site audition.
3. ONLY for IGP applicants: Educational practical part of exam incl. colloquium
30.04.2025
Clemens-Hellsberg-Saal (Johannesgasse 4a, 2. Stock, 1010 Wien)
The 1st round of the entrance examination is done by sending in an application video. Important information for a correct recording of your application video can be found here.
The application video includes:
Introduction
In the introduction (max. 2 minutes), speak freely in either German or English and introduce yourself directly before you start playing. Please include your motivation for studying and additional information on your written application.
Directly after the introduction, start your artistic presentation (1st round), min. 15 minutes (without editing).
Artistic presentation
The presentation of your artistic programme takes place directly after the introduction (without editing!). You choose the programme in your own order. The specified examination programme of the 1st round (without breaks/cuts) must be recorded in full length.
1. Examination programme of the 1st round, min. 15 minutes of programme
a) A virtuoso etude or an etude-like virtuoso work of short duration
(works similar to Prokofiev or Schumann Toccata, as well as etudes
by Chopin, Liszt, Rachmaninoff, Debussy, Scriabin, Prokofiev, Bartok,
Stravinsky, Ligeti, Kapustin, Karen Tanaka and others).
b) One fugue (without prelude) or striclty polyphonic piece (min.
three parts)
i. e.g. by Bach, Händel, Shostakovich, Shchedrin, or similar
c) One piece from the Viennese Classical period (inkl. Schubert):
i. one fast movement from a sonata
or ii. Excerpt from a theme-and-variation work (not exclusively
slow excerpts)
d) One freely chosen piece*
* The freely chosen piece may also be a piece of the on-site-audition (2. f-h).
The choice of technical equipment is up to you, since it is in your own interest that sound and image quality are as representative as possible.
You will be informed via e-mail about the result of your video application (1st round result). An optional invitation for the on-site audition of the 2nd round will be sent to selected applicants (Johannesgasse 4a, 1010 Wien).
2. Examination programme of the 2nd round (on-site audition), min 30 minutes of programme (the commission chooses excerpts on site)
e) The complete work from the Viennese Classical period
from 1.c.
f) One piece from the romantic era (including late romantic era)
g) One piece from the 20th / 21st century
i. Impressionism or Classical modern era or contemporary
piece (free tonality/avantgarde/non-tonal)
h) One freely chosen piece
i) After this, there is a discussion with the candidate, including
optional small tasks:
i. Short associative improvisation to an inspirational idea
(will be provided spotaneously at the audition; no specific
previous knowledge necessary)
ii. A very short piano piece (Scores will be provided on the day
of the examination, practice rooms are available for
preparation.)
All pieces (except contemporary music after 1950) are to be performed from memory.
The entrance examination for the Master’s degree is used to check the candidate’s aptitude for the specific requirements of the Master’s degree, with particular consideration of their prior knowledge and skills.
The condition for admission to the Keyboard Instruments Master’s degree is a completed Bachelor’s degree in a pertinent branch of study or an equivalent qualification from an Austrian or foreign post-secondary educational facility, as well as successfully passing all parts of the entrance examination.
To pass the entrance examination, a rating of “Passed” is required in all sections. Admission also depends on the specific availability of a course place. Being placed on the waiting list supposes a probability of future availability (i.e. by the end of the semester in question) of a course place.
The 1st round of the entrance examination is done by sending in an application video. Important information for a correct recording of your application video can be found here.
The application video includes:
Introduction
In the introduction (max. 2 minutes), speak freely in either German or English and introduce yourself directly before you start playing. Please include your motivation for studying and additional information on your written application.
Directly after the introduction, start your artistic presentation (1st round), min. 20 minutes (without editing).
Artistic presentation
The presentation of your artistic programme takes place directly after the introduction (without editing!). You choose the programme in your own order. The specified examination programme of the 1st round (without breaks/cuts) must be recorded in full length.
1. Examination programme of the 1st round, min. 20 minutes of program
a) Two virtuoso pieces (e.g. étude, toccata) from different stilistic eras
b) One prelude and fugue or striclty polyphonic piece
(min. three parts)
i. e.g. by Bach, Händel, Shostakovich, Shchedrin, or similar
c) One work chosen freely (min. 8 minutes)*
* The freely chosen work may also be a work of the on-site-audition (2. d-g).
The choice of technical equipment is up to you, since it is in your own interest that sound and image quality are as representative as possible.
An optional invitation for the on-site audition of the 2nd round will be sent to selected applicants (Johannesgasse 4a, 1010 Wien).
2. Examination programme of the 2nd round (on-site audition), min 40 minutes of programme (the comission chooses excerpts on site)
d) One piece from the Viennese Classical period (inkl. Schubert):
Sonata or theme-and-variation work
e) One work from the romantic era (including late romantic era)
f) One work from the 20th / 21st century:
Impressionism or Classical modern era
g) One contemporary work composed after 1950 (avantgarde/
non-tonal)
h) After this, there is a discussion with the candidate
All pieces (except contemporary music after 1950) are to be performed from memory.
You will be informed via e-mail about the result of your video application.
The entrance examination serves to check the following
a) the motivation to study
b) the educational, artistic and personal competence of the candidates.
The entrance examination is divided into four parts; the positive assessment of the first and second parts is a prerequisite for admission to the further parts of the examination.
1. Online Application
The following documents must be included in the online application:
More information on the online application can be found here.
2. Artistic part of the examination
ATTENTION: The programme to be prepared as well as the examination process (video or on-site audition) are identical to the requirements of the respective artistic bachelor’s programme. Please inform yourself on the respective page for the corresponding programme requirements.
Another examination of the musical ear and of music theory knowledge will take place at the start of the first semester as part of a classification in the Aural Training and Composition courses only for those candidates who have been admitted to the course.
3. Educational-practical part of the examination
Applicants must demonstrate their educational-practical abilities and potential by showing their practical piano and vocal skills in a presentation:
a) Singing and chordal accompaniment
Singing and simultaneous chordal accompaniment (with lead sheets) at the piano. Applicants are given five songs from the field of popular music to prepare (see here)
b) Accompaniment at the piano
Applicants prepare the accompaniment of three pieces (or single movements) which they may choose from the beginner and intermediate literature for their own instrumental or vocal musical subject (in the piano, organ, accordion, guitar, harpsichord and historical keyboard instrument subjects, accompanying three pieces or single movements of their own choice from the beginner and intermediate literature for an orchestral instrument of their own choice).
Practice-oriented simplifications of the accompaniment parts are permissible, if not desirable. Applicants are required to name the pieces when they submit their musical programme at the time of registration. They must submit four copies of the scores to the Examination Panel at the examination.
c) Sight-Singing
Singing a simple song in German.
4. Colloquium
For testing cognitive and linguistic skills.
The panel will discuss and reflect with the applicants on the results of the previous parts of the examination and will examine their individual educational potential as well as their objectives and suitability for the course.
Sample questions for the colloquium are available here.
Proficiency in German:
Applicants whose native language is not German also have to prove their proficiency in German. They need to prove that they have at least level B2 of the Common European Framework of Reference for Languages, at the latest upon enrolment.
The 1st round of the entrance examination is done by sending in an application video. Important information for a correct recording of your application video can be found here.
The application video includes:
Introduction
In the introduction (max. 2 minutes), speak freely in either German or English and introduce yourself directly before you start playing. Please include your motivation for studying and additional information on your written application.
Directly after the introduction, start your artistic presentation (1st round), min. 10 minutes (without editing).
Artistic presentation
The presentation of your artistic programme takes place directly after the introduction (without editing!). You choose the programme in your own order. The specified examination programme of the 1st round (without breaks/cuts) must be recorded in full length.
1. Examination programme of the 1st round, min. 10 minutes of programme
a) One virtuoso piece (e.g. étude, toccata)
b) One fugue (without prelude) or Bach invention or striclty polyphonic piece
c) One freely chosen piece
The choice of technical equipment is up to you, since it is in your own interest that sound and image quality are as representative as possible.
2. Examination programme of the 2nd round (on-site audition), min 20 minutes of programme (the comission chooses excerpts on site)
d) The piece from 1.a. (e.g. étude, toccata)
e) The piece from 1.b.
f) One complete work from the Viennese Classical Period
g) One piece from the romantic era or from the 20th century
h) After this, there is a discussion with the candidate, including
optional small tasks:
i. Improvisation or short listening exercise (no specific previous
knowledge is necessary.
The entrance examination is done by sending in corresponding application videos.
Important information for a correct recording of your application videos
can be found here.
The admission exam serves to determine applicants’:
a) motivation for undertaking the programme of study
b) artistic proficiency (corresponding to Master’s level entry)
c) artistic and personal suitability
The admission process is split into three parts – applicants must be successful in Part 1 in order to progress to the next stage.
1. Submission of a short biography (including language skills), covering letter, repertoire list and an audition programme:
• Short biography: applicants should provide a written overview of the qualifications they have gained so far, their (language) skills, and the areas their activities have focused on.
• Covering letter: applicants should describe their personal expectations of the programme and what they are looking to get out of it. Applicants should also state their current artistic activities and skills and those they are aiming to acquire.
• Audition programme for Part 2: a programme for the artistic presentation that makes up Part 2 (corresponding to Master’s level entry).
2. Artistic presentation:
In the artistic presentation, applicants should demonstrate their instrumental proficiency and level of artistry. The programme should be put together by the applicant her/himself and should give as strong an impression as possible of her/his artistic qualifications. Instrumental proficiency should be at least that needed for Master’s level entry.
3. Colloquium:
Together with the applicant, a panel will discuss and reflect on the results of Parts 1 and 2 of the admission exam and examine the applicant’s individual and artistic potential as well as her/his personal goals and suitability for the programme.
Note: An appointment for an on-site entrance examination may also be arranged
as an option after arrangement with the head of the study programme
Schedule might be possibly altered even in the short term! Regarding that please look up this section of the website regularly. Thank you.
Applications for studying at the Music and Arts University of the City of Vienna can be submitted online at anytime; they will be reserved for the next admission period. Applications submitted after the application deadline can no longer be considered for the subsequent audition date.
The application for the entrance examination is done via the application mask in MUKonline. All necessary steps for the application for the entrance exam are listed here.